Summer for teachers are one of the few perks. Sure, we don’t make a penny between May and September. Aside from that little inconvenience, the days of summer are our own. It’s nice not to read ten screenplays a day, to recharge, which I’m doing by able-bodied best to do. Meanwhile, I want to […]
Quite a while back I wrote a post about subtext. I want to revisit the subject today and look at the script from Far From Heaven. Hopefully we can exorcise your expositional demons, Good Reader. While voice is critical, no less important is subtext. The goal is to not spell everything out. Say it without saying […]
Who won the Academy Award for Best Screenplay at the first Oscars? Ben Hecht. 1929. The movie was Underworld. Considered one of the earliest, if not the earliest gangster movie ever made, you’d think that would be enough of an achievement for a lifetime. But this is Ben Hecht, and he was just warming up. […]
Let’s carry on with my unconventional list of the best sex scenes in mainstream movies. Remember from the first go-around, the Orson Well quote: “Ecstasy … is not to be communicated by a couple of people, or one person, or any combinations there of, unless it’s actually happening … [Ecstasy] is really not part of […]
Good Reader, another week, another confessional… If there’s one thing I’ve mastered over the years– being Southern Italian and Type A– it’s “hating” well. Hating artfully. To quote The Sound Of Music, here are a few of my least favorite screenwriting things– circa my article this week in Script Magazine. The only thing I hate […]
