I’m an awful person. I have a blog so every now and again I can confess to you, Good Reader. Blog as shrink. Not to tantalize you too much. I won’t be going DARK dark side today, but I will admit to my habit of movie marathoning. You know what I’m talking about. Get to […]
Yep, it’s that time of year again, the Nicholl deadline, and you’re going crrrrrazzzzzyyyyy! Pulling out all the stops, making yourself a complete nuisance to friends and family to read your freakin’ script. Hitting the message boards at Trigger Street or Moviebytes… It’s the annual screenwriter’s ritual, like salmon swimming upstream. The uptick in script […]
Occasionally I’ll have a fiction student invade a film and video class. Their “head” is different. I’ll look at their screen description and see liberal use of adjectives and adverbs. Dense detail, terrific stuff. Because, in the fiction world, a novel can be 300 or 800 pages, they have the freedom to embellish not just […]
We talked before the importance of character arcs. I’d like to illustrate a few more famous characters and their journeys. The hope is it helps you think about your own characters and their journeys. I mentioned in the last article that characters gotta change. Like every other screenwriting rule, this one can be broken. Let […]
Last week we talked about beating down your protagonist–manipulation of audience emotion through them connecting to your characters. One sure way for them to connect is to have them identify with the character, and then mercilessly, relentlessly, beat them down. Many movies have done this in many ways. I showed some examples last week that […]
