Remember this scene? The first meeting with Sollozzo. This is not Plot Point 1 of The Godfather, but it’s arguably the most important scene in the movie. Now you’re like…huh? Classic screenplay structure, meaning Old School Syd Field variety, tells us that the Plot Point 1 takes us out of the First Act. It’s a lynch […]
Good Reader, today we’ll hit the links once more with a bunch of articles I couldn’t group. So we’ll just toss ’em into the Miscellaneous pile. The goal, as ever, is to help you along on your script-writing journey. Let me know if any of this hits home… When you want to learn how to […]
The writer Bruce Vilanch once said something in one of my classes that resonated. When you describe your lead character, imagine someone of star magnitude, A-list, reading it. The description is the first exposure to their character. You don’t get a second chance to make a good impression. Protagonist/antagonist descriptions should be nailed down. How […]
Here are some screenwriting links that concentrate on a well-worn theme here at Script Gods–trying to find a way to make your damn script HAPPEN! I know, you’re seriously tired of my ad nauseam speeches on the virtues of micro-budget. I don’t mean to proselytize, but honestly, what other option is there? To go the […]
What is an action line? New screenwriters are taught to write action lines as: Who is in the shot and what is happening, now. What is the camera seeing, now. But when you study the pros you’ll find they do more than this. Pros cheat. They do it all the time. How do they do […]
