Loglines terrorize new screenwriters, and I understand why. Summing up a 100-page screenplay in 25 words or less?! In a maximum of two sentences? Daaaamn! Somebody, tell me how I get my arms around this thing?! The internet is already crawling with logline advice from the 10,001 screenwriting websites, so without adding to the Same […]
As a teacher, the most valuable thing I have to offer any student is real world knowledge. In the world of screenwriting gurus it’s quite a more dangerous place than you’d imagine, insisting that the guy giving you notes has actually, you know, written a fucking movie. Lots and lots of pretenders out there with […]
Readers of Script Gods know that I’m a recent convert to the Church of D.I.Y. Micro-budget as THE WAY. If you needed more evidence of this trend as gone mainstream, you have only to look at the recent Joss Wheedon release of his micro-budget In Your Eyes. Whedon’s film premiered at Tribeca film fest. Then, […]
Think about Family Guy, and the character of Buzz Killington. Dude walks into a rockin’ party, opens his mouth, and the air goes out of the room. That’s what I’m about to do when I bring up today’s subject of –hit it, Buzz!—Writing The Killer Synopsis! Let’s define our terms. Synopsis is not a treatment. […]
We talked previously about collaboration and the art of creative disagreement. That means finding collaborative partners who will not be yesmen, who will challenge you, and push the project to a new level. I’ve been fortunate to have some wonderful collaborative relationships, both in theater and film. I started in theater writing plays for my […]
