Script Gods

Once you’re writing with POV, don’t forget to avoid the booby-traps. For instance, directing the script. From Nueromancer: CAMERA BOOMS DOWN onto the spread eagled Case, surrounded by his enemies. He screams as the mycotoxin hits his nervous system like a runaway freight train. His dilated eyes flash open, staring into a hallucinatory hell. BOOM […]

Screen Direction and Dialogue. Less the slugline, that is all there is to a screenplay. While it might be argued that dialogue is far more important, the ability to write clean, crisp screen direction is essential. What is the best way to go about it? Recall the earlier definition: Screen direction is what the camera […]

“I don’t write screenplay character biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.”— John Sayles “Character arcs always seem to be a big issue with film studio executives . . . so the inevitable questions were posed: What was her […]

“Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone.”–Takeshi Kitano “. . . it is true that language and forward movement in the cinema are jolly […]

The said and unsaid. Dialogue and subtext. Symbiotic. Train rails, side by side. The nature of every scene is what is said, and what is really said. Meaning: The essence of the scene, the subtext. What are the actors playing? Have you spoken out every intention and emotion with exposition? Have you left them enough […]